During the 1500s in England a burst of literary accom­plishments arose that was never before seen in the history of the theater. In the new idea of theaters, playwrights lifted the Elizabethan Theater to new heights. Men like Shakespeare dared to write plays about real people in a variety of real situ­ations. Through their efforts, Shakespeare produced plays that were far more sophisticated and entertaining than any plays of the past. Audiences expressed their pleasure by demand­ing more and more plays. The public shared a great deal of interest in the theaters and playwrights of this time. People from all over the city of London would travel to experience the drama of the Elizabethan Theater.

The theater was a very important aspect of Elizabethan life in the medieval ages. Life in Elizabethan times was diffi­cult and dangerous. Many people were poor tenant farmers, often living at the mercy of wealthy landowners. Elizabethans sought relief from their harsh lives by attending plays and other forms of entertainment, which made the theater so im­portant to Elizabethan culture. There were many theaters in Elizabethan times, all very similar to each other. However, when William Shakespeare began writing playwrights, his final production was so exceptional, that no other person could compare. With this, Shakespeare was mainly featured at one theater, The Globe. With the popularity of playwrights in the middle ages, the theaters themselves were popular as well. By the late 1500s, performances were becoming expensive, shutting out the non-payers. The solution was to find or con­struct buildings that were suitable for the performance of plays. By the late 1500s, there were over a dozen theaters in the immediate London area. At this time, the most popular theater, “The Theatre” housed the most prestigious of plays. For years, this one theater acted as the center of the town, where the most famous plays were shown. But in 1597, the lease on the land on which “The Theatre” sat expired and the owner of the land would not renew the lease.

In the winter of 1598, while the original owner was away, the people of London decided to move the theater, board by board. They began to rebuild the theater in Southwark, Lon­don, near The Rose, The Swan, and The Hope theaters. After ten months of rebuilding, the theater was later renamed as The Globe in 1598. Upon completion of the newer, revised theater, The Globe actually turned out not to be the largest of its time. The theater was three stories high, one hundred feet in diameter, and could hold as many as 2,900 patrons if de­sired. The Globe Theatre was constructed as a mixture be­tween a Roman Amphitheater and an English Tudor House. The architecture of The Globe was very unique. There was no roof over the actual theater. There was, however, a thatched roof over the stage. The use of a roof over the stage was not only to protect the performers from the weather, but to improve acoustics as well. Two very elaborate, almost flashy pillars held the roof over the stage. The stage itself was rec­tangular and extended into the middle of the auditorium. Vari­ous trapdoors were cut in the center of the stage, through which an actor might disappear or leap forth, as the action demanded. A balcony hung over the rear of the stage and a musicians’ gallery was tucked behind the balcony. Unseen, behind the stage, was the Tiring House. Here is where the actors dressed for the plays. Individual dressing rooms were not a feature of Elizabethan playhouses, so actors were to dress in whatever open space they could find. The Globe Theater was the home to one of the most honored writers of the time, William Shake­speare. Here, Shakespeare wrote, rehearsed, and performed his plays. Inside the theater was very different than one might expect. The Globe was almost always filled to its capacity with people. It was so filled that it was near impossible to move around once inside. In Elizabethan times, people were known not to bathe frequently. With close to 3,000 patrons all rubbing against each other, the stench was quite hideous. Holes in the roof over the stage were constructed to let more wind in, and the stench of dirty bodies out. Rats and fleas were also a very big problem inside the theater. This was mainly due to the audience’s behavior. During plays, audi­ences ate, drank, spat, argued, booed, fought, and even threw fruit at the actors. In 1613, a great tragedy happened. During a performance of Henry VIII, a blast of flaming wadding shot from a cannon and landed on the thatched roof. The building went up flames very quickly. The audience escaped safely, with the exception for one man who was badly burned. Fire was always a real danger in all Elizabethan buildings, since they were usually constructed of wood and thatch.  The dra­peries and thatched roofs were very dry, and burned like a torch if sparked, which was the case in The Globe Theater. There were no fire extinguishers or fire departments at the time, so the normal practice was to get leather fire buckets, fill them with water, and dump them on the blaze. Many years later, a new globe was rebuilt, shortly before Shakespeare’s death. This time, it was constructed with a tile roof and fire exits. It never stood up to the stature of the original Globe, but remained as a memory of William Shakespeare and his theater. The role of the theaters of the Elizabethan Era proved to be a very important one. It gave even the lowest class of citizens of London something to take interest in, and kept them entertained. The theaters opened up many jobs to the nearby citizens.

In conclusion the life and prosperity of the theaters is truly unique. How one man can change a person’s life style, and transform a plain and simple theater to a historical arti­fact to be known for years to come is remarkable. This is why Shakespeare’s Theater, a little thatched building that disap­peared long ago will always be commemorated.